oldness
08-09-2008, 02:08 PM
Figured I'd try my hand at starting a thread...
Throughout my years as a musician, I've had an innate tendency to gravitate towards time signatures built around 3 rather than 4. In particular, I've a weakness for 3/4 and 6/8 time, and will often unconsciously favor these time signatures when writing and listening. Even when playing over songs in standard 4/4 time, I find myself playing triplets rather frequently.
My question to the INTJ musician community: do you find you gravitate towards waltz times and/or odd-metered music? Do you write and/or play in waltz time/odd meters more so than the "average musician"?
To the non-musician INTJ contingent: do you have an innate preference for waltzes? Examples of such pieces:
"House of the Rising Sun" - The Animals
"You've Got to Hide Your Love Away" - The Beatles
"How to Disappear Completely" - Radiohead
"My Favorite Things" - John Coltrane
"Waltz of the Flowers" - Tchaikovsky
I'm wondering if this is a broader trait, or if it's an individual quirk.
Throughout my years as a musician, I've had an innate tendency to gravitate towards time signatures built around 3 rather than 4. In particular, I've a weakness for 3/4 and 6/8 time, and will often unconsciously favor these time signatures when writing and listening. Even when playing over songs in standard 4/4 time, I find myself playing triplets rather frequently.
My question to the INTJ musician community: do you find you gravitate towards waltz times and/or odd-metered music? Do you write and/or play in waltz time/odd meters more so than the "average musician"?
To the non-musician INTJ contingent: do you have an innate preference for waltzes? Examples of such pieces:
"House of the Rising Sun" - The Animals
"You've Got to Hide Your Love Away" - The Beatles
"How to Disappear Completely" - Radiohead
"My Favorite Things" - John Coltrane
"Waltz of the Flowers" - Tchaikovsky
I'm wondering if this is a broader trait, or if it's an individual quirk.