Uberfuhrer
05-16-2008, 07:11 PM
I just got back from The Chronicles of Narnia: Prince Caspian. Quite an adrenaline-pumping, fast-paced adventure film if you ask me. It was somewhat an improvement over the first film. Though I must confess that The Lion, the Witch and the Wardrobe was the only Narnia story I was familiar with, due to the fact that I was exposed to the BBC movie in grade school about fifteen thousand times.
The visual effects, farmed out by The Moving Picture Company, Framestore-CFC, Weta Digital, and ScanlineVFX.
Notable effects sequences: The Moving Picture Company handled the battle sequence, which was very exciting and skillfully crafted, although there were certain flaws in compositing; many of the shots were clearly greenscreen and were not as convincing as they could have been.
Framestore-CFC took over the duties of animating digital characters such as Aslan, who was animated by Oscar-winning effects house Rhythm & Hues in the first film, and a vast assortment of other talking animals and mythical creatures, many of which were farmed out by Sony Pictures Imageworks and Industrial Light & Magic in the 2005 predecessor.
Weta Digital was in charge of the castle raid; curious how that whole sequence looked like it was footage from any one of the Lord of the Rings films, in which Weta Digital was also instrumental in.
My favorite effects sequence, however, was done by ScanlineVFX in Munich. ScanlineVFX is a relatively unheard of effects company in the US, but judging by the sequence they handled, I'm hoping to see a lot more of them. ScanlineVFX was in charge of the River God, who was basically a monster that spawns out of the river -- a truly stunning and fantastical creation, he was.
The visual effects, farmed out by The Moving Picture Company, Framestore-CFC, Weta Digital, and ScanlineVFX.
Notable effects sequences: The Moving Picture Company handled the battle sequence, which was very exciting and skillfully crafted, although there were certain flaws in compositing; many of the shots were clearly greenscreen and were not as convincing as they could have been.
Framestore-CFC took over the duties of animating digital characters such as Aslan, who was animated by Oscar-winning effects house Rhythm & Hues in the first film, and a vast assortment of other talking animals and mythical creatures, many of which were farmed out by Sony Pictures Imageworks and Industrial Light & Magic in the 2005 predecessor.
Weta Digital was in charge of the castle raid; curious how that whole sequence looked like it was footage from any one of the Lord of the Rings films, in which Weta Digital was also instrumental in.
My favorite effects sequence, however, was done by ScanlineVFX in Munich. ScanlineVFX is a relatively unheard of effects company in the US, but judging by the sequence they handled, I'm hoping to see a lot more of them. ScanlineVFX was in charge of the River God, who was basically a monster that spawns out of the river -- a truly stunning and fantastical creation, he was.